HORSEPLAY: MY TIME UNDERCOVER ON THE GRANVILLE STRIP BY NORM BOUCHER

I didn’t have any expectations when I picked out this book. It seemed like it might be an interesting look back at Vancouver in the 1980s. This memoir by former RCMP undercover Staff-Sergeant Norm Boucher, delves into an eight-month undercover heroin operation in Vancouver, specifically around the Granville strip in 1983. Boucher befriends several local heroin users and sets them up in order to gain access to those higher up the drug supply chain. Unfortunately, there is very little that is interesting in this 269-page memoir.

Book Review of Horseplay: My Time Undercover on the Granville Strip

After settling in and trying to gain the trust of his new friends, Boucher gives us some detail on his daily routine, the challenges he faced, a little bit of what he was experiencing emotionally as he tries to sell himself as a heroin user. But there is very little insight, introspection, or self-reflection in this – it’s just the same thing day in and day out. Once we establish a few bits and pieces about the folks he meets and begins to do business with, there is very little else. Does he ever get the bigger guys up the chain? Not really sure – and it hardly seems that some that the operation may have got, weren’t all that far up that chain anyway.

Reading about this time – 1983 – and the drug scene with today’s deeper understanding of the nightmare situation that is occurring on the streets of this city, and applying that to a time 40 years ago, may be a bit unfair, but this book really raises questions about the time, money, and usefulness of such an operation. Boucher doesn’t seem to want to touch on this. He discusses addiction, in a rather small and simplistic way near the end of the book. But he doesn’t challenge his own understanding or the role of the police, public policy and strategy in this situation. He simply tells us what he did, day-to-day. And that gets tedious pretty quickly.

I’m sure he worked from his own notes and had some help with remembering the events that went on during this operation. He talks very little about the investigative team and what they were doing during most of this eight-month indulgence. I’m also rather suspicious of the endless quoted conversations that he had with his various new drug buddies in the beer parlours at the various hotels. He regularly mentions how certain people are suspicious of him – they think he might be a cop. This goes on throughout the book and simply feels like a dramatic device to lead us to believe he was possibly on the verge of having his cover blown. Keep the reader in suspense, somehow, because the basic description of his routine certainly doesn’t.

So this was, even without any expectations one way or another, a disappointing book. While there are bits and pieces that carry you along in places, and this may be enough for some people, it certainly did not have enough to hold me throughout the 269 pages.

Norm Boucher, Horseplay: My Time Undercover on the Granville Strip (Edmonton, Alberta: New West Press, 2020)

DIGITAL PHOTOGRAPHY

Photojournalism, digital photography, and the Vancouver Sun Newspaper

Digital photography isn’t anything we give much thought to these days. After all, everything is digital, everyone has a cell phone, everyone, therefore, has a camera. Taking pictures, sending them to friends and family, or posting them on some social media site is an everyday practice. But such instant and easy access to photographs is fairly new, little more than twenty-five years, and The Vancouver Sun found itself on the leading edge of this significant evolution.

The Origins of Digital Photography – 1960s and ’70s

The origins of the digital camera go back to the 1960s where image enhancement was being used and developed by the American space program. The interest in finding a means of capturing images electronically came from the evolution of video recording technology. By the 1970s, Kodak, Canon, and RCA were exploring how to develop an electronic image capturing camera. Steve Sasson, an engineer at Kodak, was researching the use of the charge-couple device (CCD) for image creation and in 1975 presented the first digital camera. He could hold it with both his hands and take a picture and so considered it, amusingly, a hand-held creation. The images would record onto a cassette tape that could then be played back and seen on a TV. The company, however, was not as impressed with this new creation when told that it would likely take 15-20 years before this would be ready for the consumer market.

Kodak’s 1975 digital camera/photo: George Eastman House

Sony, Fuji, Apple, Floppy Disks, and the 1980s

Other companies were also researching and developing digital cameras. Sony’s Mavica non-film electronic camera was seen as the beginning of a new road ahead in 1981. It too had to playback to a TV or monitor from the stored media on a two-inch floppy disk. By the mid-1980s photojournalists were experimenting with early digital cameras and recognizing that it would lead to dramatic changes in how photos were stored, edited, and transmitted for publications. This would also have major implications for the average consumer, professional photographers, and photography buffs. Fuji presented a camera that recorded images to an SRAM card in 1988 but it wasn’t really until the debut of Apple’s QuickTake in 1994 that we see the first mainstream digital camera. Kodak developed it and sold it for around $1000.

Apple QuickTake 100 Photo by Carl Berkeley

The Kodak NC2000 and the first newspaper to transition to all-digital

Kodak introduced its digital camera system (DCS) with a 1.3-megapixel sensor in a Nikon F3 camera in 1991. The system was aimed at photojournalists. But it wasn’t until 1994 that Kodak teamed up with the Associated Press to offer its members the Kodak NC2000. It was this camera that The Vancouver Sun, the first newspaper to transition to all-digital photography, along with The Province and The Calgary Harold, purchased in its switch to all-digital photography in 1995. Discounted for AP members to $16,950 from its listed $17,950 price, the camera was highly unpopular, as was the transition to digital. But as the ability to transfer pictures quickly and easily improved and the images and functions of the camera technology got better, virtually everyone saw and supported this new technological change. They had no desire to return to the old ways.

Kodak/AP NC2000 / photo: George Eastman House

Sources:
http://digitaljournalist.org/issue0602/dunleavy.html

https://indianexpress.com/article/technology/gadgets/the-evolution-of-digital-cameras-from-kodaks-1975-digital-camera-prototype-to-iphone-5727036/

https://www.cnet.com/news/photos-the-history-of-the-digital-camera/

“Unsung Cameras Of Yesteryear: The Kodak NC2000 (Featuring Rob Galbraith),” YouTube uploaded by The Camera Store, 22 May, 2016. https://www.youtube.com/watch?v=0BwQ9jS1xKc

Fralic, Shelley. Making Headlines: 100 Years of the Vancouver Sun. Vancouver: Vancouver Sun, 2012.

HORNBY BLUES AT ST. JAMES HALL

On their way to The Hornby Island Blues Workshop, Cécile Doo-Kingué, Tim Williams, Paul Pigat, and Michael Jerome Browne stopped into St. James Hall on a warm and pleasant Friday evening, offering a grand selection of blues and roots music to an enthusiastic crowd. The place was packed.

Like a traditional folk workshop, they cycled from one artist to the next, each playing acoustic guitar and offering originals and interpretations, often bringing in the others for solo and rhythm support. It was a night of wonderful music, relaxed, humorous, and full of spontaneity and great talent.

Paul Pigat

Paul Pigat is likely best known for leading Cousin Harley, an intense rockabilly trio that branches out into blues and country music, although his country outlet is best heard with Boxcar Campfire. He is incredibly versatile, an impressive finger stylist, jazz performer and singer. Seeing him in any style incarnation is always a worthy and entertaining event.

Cécile Doo-Kingué

Cécile Doo-Kingué was born and grew up in New York. She is a citizen of the world now living in Montreal. An impressive guitar player and singer, her sound incorporates Afro-roots, blues and soul influences. She has several albums out, including a trilogy that began with Anybody Listening pt. 1 (20150 and was followed the next year by Anybody Listening pt. 2. She has earned several Maple Blues awards. Her songs are powerful, some are strongly political and personal, her lyrics are vivid and pointed. And on this occasion, her versatile guitar playing was on display along with her warmth and humour.

Tim Williams

Tim Williams, American born, came to Canada in 1970 after several years taking in the California music scene of the mid-1960s. Blues, folk, roots, rock, Hawaiian, and Mexican music are all part of his repertoire. He has a great knowledge of the blues and its history, the different styles from the Delta to Chicago and everywhere in between. More importantly, he demonstrates this deep history with his various guitar blues styles that go back to those early years. His latest album is Corazones Y Murrallas.

Michael Jerome Brown

Michael Jerome Browne is one of Canada’s most significant blues and roots artists on the scene today. He has been nominated and won several folk and blues awards. He is a “multi-instrumentalist, a songwriter, and a living encyclopedia of American Roots music,” as his website states. Browne performed on tour as a one-man band and was a singer and guitarist in the Stephen Barry Band. He has worked extensively with Eric Bibb, co-producing and performing on the 2017 Grammy nominated Migration Blues.

Vancouver Folk Music Festival 2012

Jericho Park Beach July 14-16   

This was the 35th year for the festival at Jericho Park Beach. The weather was pretty good for most of it and the line up was impressive. There was a strong Canadian component on the list of performers. Dan Mangan, Hey Rossetta, and K’naan are just a few that took to the main stage. Here are a few photos.

Murray McLauclan

Murray McLauchlin 2012 Folk Fest

Murray McLauchlan’s first album, Song from the Street, appeared in 1971, and in late 2011 he released Human Writes, his Twenty-fourth album.

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Vancouver Folk Music Festival 2008

This was the 31st annual Folk Fest in Vancouver that took place July 18-20th, 2008.  It was my first time at this musical extravaganza and it was an incredible, if sometimes overwhelming, weekend.  I took a few photos but the camera wasn’t very good and I didn’t shoot very much. I was primarily interested in hearing as much music as I could.

Also performing at the Festival was Michael Franti and Spearhead, well know BC band Spirit of the West, Feron, Martin Sexton, Madagascar Slim, Abigail Washburn and The Sparrow Quartet with Bela Fleck, Casey Driessen and Ben Sollee, and Jim Byrnes joined the Sojourners.

There are likely several well-know performers that I have either forgotten or overlooked. There were also some good food venues that were very busy at meal times, and a beer garden, its inaugural year. Here are a some of the photos I salvaged from that weekend.

Click on the images below to find out more about the performers.

Etran Finatawa

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