HORNBY BLUES AT ST. JAMES HALL

On their way to The Hornby Island Blues Workshop, Cécile Doo-Kingué, Tim Williams, Paul Pigat, and Michael Jerome Browne stopped into St. James Hall on a warm and pleasant Friday evening, offering a grand selection of blues and roots music to an enthusiastic crowd. The place was packed.

Like a traditional folk workshop, they cycled from one artist to the next, each playing acoustic guitar and offering originals and interpretations, often bringing in the others for solo and rhythm support. It was a night of wonderful music, relaxed, humorous, and full of spontaneity and great talent.

Paul Pigat

Paul Pigat is likely best known for leading Cousin Harley, an intense rockabilly trio that branches out into blues and country music, although his country outlet is best heard with Boxcar Campfire. He is incredibly versatile, an impressive finger stylist, jazz performer and singer. Seeing him in any style incarnation is always a worthy and entertaining event.

Cécile Doo-Kingué

Cécile Doo-Kingué was born and grew up in New York. She is a citizen of the world now living in Montreal. An impressive guitar player and singer, her sound incorporates Afro-roots, blues and soul influences. She has several albums out, including a trilogy that began with Anybody Listening pt. 1 (20150 and was followed the next year by Anybody Listening pt. 2. She has earned several Maple Blues awards. Her songs are powerful, some are strongly political and personal, her lyrics are vivid and pointed. And on this occasion, her versatile guitar playing was on display along with her warmth and humour.

Tim Williams

Tim Williams, American born, came to Canada in 1970 after several years taking in the California music scene of the mid-1960s. Blues, folk, roots, rock, Hawaiian, and Mexican music are all part of his repertoire. He has a great knowledge of the blues and its history, the different styles from the Delta to Chicago and everywhere in between. More importantly, he demonstrates this deep history with his various guitar blues styles that go back to those early years. His latest album is Corazones Y Murrallas.

Michael Jerome Brown

Michael Jerome Browne is one of Canada’s most significant blues and roots artists on the scene today. He has been nominated and won several folk and blues awards. He is a “multi-instrumentalist, a songwriter, and a living encyclopedia of American Roots music,” as his website states. Browne performed on tour as a one-man band and was a singer and guitarist in the Stephen Barry Band. He has worked extensively with Eric Bibb, co-producing and performing on the 2017 Grammy nominated Migration Blues.

JOHN COLTRANE – AFRO BLUE IMPRESSIONS

If you asked me, “what is jazz?” I’d say, “Listen to this. This is jazz .” There is no other like John Coltrane, and Afro Blue Impressions, recorded at two live performances in Berlin and Stockholm in late 1963, is a great example of his musical genius. Some of his best work was to follow this and his experimentation and various tonal shifts here are a prelude to some of the sounds found in later music. With McCoy Tyner on piano, Elvin Jones on drums, and Jimmy Garrison on bass, this powerful trio pushes Coltrane as he strives to find new places to take his tenor and soprano playing while still maintaining a comfortableness within these tensions. This album gives you a sense of who John Coltrane was, where he was going, and what jazz was about in the early 1960s. From the first time I heard Coltrane’s My Favorite Things when I was a teenager, to today, listening to various versions still feels fresh and exciting to me. Unquestionably one of my favourites.

The 21-minute version of My Favorite Things is such an impressive rendition and Afro Blue seems to carry on some of that same structure but soon finds its own feel with Tyner really leading the piece in a new direction as Coltrane moves in and out of that foundation. Chasin’ The Trane is, well, just fun – a bit of joy, a bit of angst, but only enough to let you know that everything is all good.

The bonus material offers some different takes on cuts already on the album and includes an equally interesting but somewhat different spin on My Favorite Things. This recording feels like a quintessential jazz concert of the early 60s. Such an incredible quartet and such a strong performance by Coltrane at the time. There are some other great live recordings, maybe even better than this, but Afro Blue Impressions is really an excellent window into one of the greatest jazz musicians of the 20th century.

(Original release 1977- Reissue/Remastered with bonus material 2013)

Disc One
1 Lonnie’s Lament (John Coltrane) 10:15
2 Naima (John Coltrane) 8:05
3 Chasin’ The Trane (John Coltrane) 5:45
4 My Favorite Things (Rodgers & Hammerstein) 21:07
5 Afro Blue (Mongo Santamaria) 7:34
6 Cousin Mary (John Coltrane) 9:55
Disc Two
1 I Want To Talk About You (Billy Eckstine) 8:20
2 Spiritual (John Coltrane) 12:29
3 Impressions (John Coltrane) 11:36
(BONUS TRACKS – Not On Original Album)
4 Naima (John Coltrane) 6:39
5 I Want to Talk About You (Billy Eckstine) 9:52
6 My Favorite Things (Rodgers & Hammerstein) 13:57
Notes
Disc 1 and Disc 2, #1 recorded live in Berlin; November 2, 1963.
Disc 2, #2-6 recorded live in Stockholm; October 22, 1963.

Bass – Jimmy Garrison
Drums – Elvin Jones
Piano – McCoy Tyner
Tenor Saxophone, Soprano Saxophone – John Coltrane

BETH HART & JOE BONAMASSA – BLACK COFFEE (2018)

Album Cover Beth Hart & Joe Bonamassa - Black Coffee

Third Album by Blues Rock Duo

This is a powerhouse album, intense, emotional, full of energy and pure passion. It will leave you exhausted and relaxed from their musical workout by the end. And you’ll be ready to play it all over again. Beth Hart and Joe Bonamassa have put together their third album and they’ve left nothing behind.

Deep Historical Roots

This is great blues-rock, with horns, backing vocals, Bonamassa’s varied gritty and controlled guitar playing, and Beth Hart’s incredible voice and singing style.  Her sound is unquestionably her own, but she certainly invites some great influences on these covers, from Ella Fitzgerald, Nina Simone, and Etta James to Janis Joplin.  There’s some pretty impressive band support here too. If the first four tunes don’t blow you away it may be time for a check-up.

Originals Re-imagined

You may recognize a few of these from the originals, but other interpretations, likely not — check out Addicted by Waldeck. And check out whatever other originals you might like. The interpretations on this album are simply wonderful. I look forward to their next project together but in the meantime, this will keep me going quite nicely for a very long time.

TRACK                                               ORIGINAL ARTIST                                          

1. Give It Everything You Got             Edgar Winter

2. Damn Your Eyes                                 Etta James

4. Lullaby of the Leaves                      Connee Boswell

5. Why Don’t You Do Right                 Lil Green

6. Saved                                                       LaVern Baker

7. Sitting on Top of the World           Mississippi Sheiks

8. Joy                                                             Lucinda Williams

9. Soul on Fire                                           LaVern Baker and Orchestra

10. Addicted                                               Waldeck

Musicians

Joe Bonamassa – guitar;  Beth Hart – vocals;   Rob McNelley – rhythm guitar;  Michael Rhodes – bass guitar;  Anton Fig – drums, percussion;  Reese Wynans – keyboards;  Paulie Cerra – tenor saxophone, baritone saxophone;  Ron Dzuibla – tenor saxophone, baritone saxophone;  Lee Thornburg – trumpet, trombone;  Jade Macreae – backing vocals;  Juanita Tippins – backing vocals;  Mahalia Barnes – backing vocals.

Production

Kevin Shirley – production;  Rob Katz – engineering;  Bob Ludwig – mastering;  Jaramiah Rios – engineering assistance;  Kevin Luu – engineering assistance;  Roy Weisman – executive production;  Lowell Reynolds – recording; Ben Rodgers – recording Ron Dziubla – recording. 

  • Released January 26, 2018 
  • Recorded August 18–21, 2016
  • Genre: Soul, Blues
  • Length: 44:41
  • Label: J&R Adventures
  • Mascot Label Producer: Kevin Shirley

LEON BRIDGES – COMING HOME (2015)

THE SOUND OF YESTERDAY AND TODAY

This is a pure trip back in time. Leon Bridges, only in his mid-twenties, put together his original tunes together but wrapped them in a classic R & B and soul sound of the 1960s.

STRONG WITH SOME, NOT QUITE WITH OTHERS

The song structures, with background singers and horns galore, give this a really warm and recognizable sound. While the album is somewhat uneven, there are several strong songs — Coming Home, Better Man, and Smooth Sailin’ are probably the best cuts on here. Although this is a great sounding album with some solid songwriting, there are places that feel a little underwhelming. Bridges just doesn’t seem to put everything into all of the songs. The emotion in his vocals seems to be missing in a few places.

A VERY GOOD FIRST ALBUM

Overall though, a very good first album, particularly if you crave that 1960s soul experience. If that’s where you’re most comfortable, then this certainly is home. Perhaps the second album nails it consistently, I will be checking it out soon. But he’s off to a very good start here.

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GINGER BAKER – WHY? (2014)

Ginger Baker released Why? in 2014, his last album to date, and his first since Coward of the County in 1999.  Dedicated to his late first wife and artist Liz Baker, the album continues Baker’s journey in jazz that began in his pre-Cream rock days and has taken on various forms since the 1970s.

He revisits some of his older material along with Wayne Shorter’s Footprints and Sonny Rollins’ St. Thomas. There is a strong and clear percussive foundation throughout the album with Baker’s steady drumming and Abass Dodoo’s work on percussion. The African rhythm influences keep this album intriguing even though it is certainly a more restrained jazz approach than it could have been. Pee Wee Ellis is on Sax and Alee Dankworth on Bass. Both are accomplished and seasoned musicians.

The hi-hat keeps the rhythm throughout the whole record, something that you might enjoy, or possibly find a bit annoying. Either way, this is a good addition to Baker’s catalogue and can be enjoyed by jazzers and rockers alike.

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Vancouver Folk Music Festival 2012

Jericho Park Beach July 14-16   

This was the 35th year for the festival at Jericho Park Beach. The weather was pretty good for most of it and the line up was impressive. There was a strong Canadian component on the list of performers. Dan Mangan, Hey Rossetta, and K’naan are just a few that took to the main stage. Here are a few photos.

Murray McLauclan

Murray McLauchlin 2012 Folk Fest

Murray McLauchlan’s first album, Song from the Street, appeared in 1971, and in late 2011 he released Human Writes, his Twenty-fourth album.

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Vancouver Folk Music Festival 2008

This was the 31st annual Folk Fest in Vancouver that took place July 18-20th, 2008.  It was my first time at this musical extravaganza and it was an incredible, if sometimes overwhelming, weekend.  I took a few photos but the camera wasn’t very good and I didn’t shoot very much. I was primarily interested in hearing as much music as I could.

Also performing at the Festival was Michael Franti and Spearhead, well know BC band Spirit of the West, Feron, Martin Sexton, Madagascar Slim, Abigail Washburn and The Sparrow Quartet with Bela Fleck, Casey Driessen and Ben Sollee, and Jim Byrnes joined the Sojourners.

There are likely several well-know performers that I have either forgotten or overlooked. There were also some good food venues that were very busy at meal times, and a beer garden, its inaugural year. Here are a some of the photos I salvaged from that weekend.

Click on the images below to find out more about the performers.

Etran Finatawa

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